INTERMEDIALITY IN THE AZERBAIJANI NOVEL: NOTES ON THE TOPIC

Osmanova Malahat Nasim

doi:10.31435/rsglobal_ijitss/30032024/8119

Osmanova Malahat Nasim Doctor of Philosophy in Philology, Associate professor The Academy of Public Administration Under the President of the Republic of Azerbaijan Azerbaijan, Baku https://orcid.org/0000-0001-9195-0383

DOI: https://doi.org/10.31435/rsglobal_ijitss/30032024/8119

Keywords: Intermediality, Azerbaijani Novel, Rauf Farhadov, Hafiz Mirza, Music and Literature

Abstract

The article talks about intermediality, which determines the intertextual connection, based on the imagery of different types of art. Rauf Farhadov’s “Amorphia. Overdose” and Hafiz Mirza’s novels “The End and the Beginning” are studied at the level of problems of intermediality. The mentioned novels open against the background of musical works, clarifying the mutual referentiality of literature and music. The transformation of music into words is based on bringing different languages together in intermediality. All mentioned ideas are clearly manifested in the novels “Amorphia Overdose” and “The End and the Beginning”.

References

Abdullayeva Y. A. (2015). Intermediality of 20th century in Azerbaijani literature as an impact of Western literary sophistication (within parallels of literary activity of Afaq Masud and William Somerset Maugham). Austrian Journal of Humanities and Social Sciences. 1(3-4),121-123.

Abdullayeva Ye. A. (2020) Fictionality in a Postmodern Novels (Based on the Creativity of Jasper Fforde). International Journal of Innovative Technologies in Social Science. 7(28), 100-113.

Bakhtin, M. (1982). The Dialogic Imagination. Four Essays. Edited by Michael Holquist. University of Texas Press. 480.

Eichner H. (1987). Friedrich Schlegel: Literary notebooks. 1797–1801. University of Toronto Press. 351.

Fau Dar Hou. Amorphia. (1998). Overdose. M., NTC: “Conservatory”, 1998, 242.

Farkhadov, R. (2019). Melody: for and against. Issue No. 2 (766). Retrieved from: https://mus.academy/articles/melodiya-za-i-protiv.

Mugham encyclopedia. Retrieved from. http://mugam.musigi-dunya.az/m.html.

Mittenswei, J. (1962). Das Musikalische in der Literatur. Verlag Sprache und Literatur. 576.

Mirza, H. (2010). End and Beginning. Baku: “Apostrophe”. 600.

Petri, H. (1994). Literatur und Musik. Form und Strukturparallelen. Göttingen. 94.