CULTURAL SPECIFICITY OF FRENCH-ITALIAN DRAMA IN EARLY ROCOCO

  • Мария Данченко Національний університет “Києво-Могилянська академія”, м. Київ, Україна https://orcid.org/0000-0002-7846-9947
Keywords: rococo, Luigi Riccoboni, Nouvelle Comédie-Italienne, Théâtre-Italien

Abstract

This article id dedicated to the issue of the genesis of literary rococo in French-Italian drama. In the following article we provide a brief review of theatrical activity of Italian troops in 1660-1720s and explore the formation of new French-Italian Stylistic concepts. Our research focuses particularly on the oeuvre of Luigi Riccoboni, a dramatist of Italian origin and Italian cultural background who wrote numerous scripts for the plays to be performed on French stage. With regard to the lack of studies of these French-Italian plays in Eastern Europe we provide an outline of Luigi Riccoboni's script for comedy "Le Libéral malgré lui" and analyze the intertwinig of Italian and French cultural elements in this play. Our study contributes to clobal research of French rococo in Eastern Europe and explores the aspect of formation of literary rococo in the process of collaboration between Italian and French authors. This article offers a new interpretation of Luigi Riccoboni's oeuvre as that of the first representative of rococo style both in Italian and French literature.

References

Boindin N. (1717) Lettres historiques à Mr D*** sur la Nouvelle Comédie Italienne. Dans lesquelles il est parlé de son Etablissement, du Caractère, des Acteurs qui la composent, des Pièces qu’ils ont representées jusqu’à present, & des Avantures qui y sont arrivées. Première lettre: 3 tomes en 1 volume. Paris, Pierre Prault, 1717. P. 3-44. Retrieved from: https://gallica.bnf.fr/ark:/12148/bpt6k1087343/f47.image.

Duchartre P. L. (2012) The Italian Comedy: monograph. Trans. by R. T. Weaver. New York: Dover Publications, Inc. (In English) Retrieved from: https://u.to/NTI9GQ

Gherardi E. (1741) Le Rétour de la Foire de Bezons. In Le théâtre Italien de Gherardi ou le recueil général de toutes les Comédies & scénes françoises jouées par les Comediens Italiens du Roy, pendant tout le temps qu’ils ont été au service. Tome sixième. Paris, Briasson, rue Saint Jacques, à la Science. P. 155-202. Retrieved from: https://u.to/WzI9GQ

Greene E. J. H., Greene G. H. (1977) Menander to Marivaux: The History of a Comic Structure; monograph. Edmonton the university of Alberta Press Retrieved from: https://u.to/gDI9GQ

Klees H. (2011) Das Spiel in Comédie-Italienne (1662-1729): Strukturen und Funktionen im Wandel: Monographie. Würzburg: Königshausen&Neumann. Retrieved from: https://u.to/pTI9GQ

Nye E. (2011) Mime, Music and Drama on the Eighteenth-Century Stage: The Ballet d’Action: monograph. Cambridge: Cambridge University Press. Retrieved from: https://u.to/zDI9GQ

Poitevin O. (1970) Le théâtre de la foire, la comédie Italienne et l’opéra-comique recueil des pièces choisies, jouées de la fin du 17 siècle aux premières années du 19 siècle, avec étude historique, notes et table chronologique: monographie. Genève: Slatkin reprints. Retrieved from: https://u.to/-TI9GQ

Ravel J. S. (2018) The Contested Parterre Public Theater and French Political Culture, 1680-1791: monograph. London: Cornell University Press. Retrieved from: https://u.to/FjM9GQ

Riccoboni L. (1729) Le Libéral Malgré Lui. In Le nouveau théâtre italien ou recueil général des comédies. Tome seconde. Paris: Briasson, rue Saint Jacques, à la Science. P. 2-78. Retrieved from: https://u.to/OTM9GQ

Tessari R. (1995) Teatro e Spettacolo nel Settecento: monograph. Bari-Roma: Editori Laterza. Retrieved from: https://u.to/WjM9GQ

Views:

225

Downloads:

724

Published
2020-06-30
Citations
How to Cite
Данченко, М. (2020). CULTURAL SPECIFICITY OF FRENCH-ITALIAN DRAMA IN EARLY ROCOCO. International Journal of Innovative Technologies in Social Science, (5(26), 26-32. https://doi.org/10.31435/rsglobal_ijitss/30062020/7134